
Aviation Movies
| RATINGS |
||
| Five
Star |
***** |
Excellent |
| Four
Star |
**** |
Very
good |
| Three
Star |
*** |
Average |
| Two
Star |
** |
Marginal |
| One
Star |
* |
Bloody
Awful |
DARK BLUE WORLD (2001).
"In the tradition of Pearl Harbor and based on actual events, comes the
heroic story of two life-long friends who take up the fight of their
nation against the Nazis. During this time their friendship faces
the ultimate test when they both fall in love with the same
woman. From Academy Award Winning Director of Kolya and set
against a backdrop of spectacular staged dogfights, this is a film that
will have you both absorbed and strapping yourself in tightly!"| DARK BLUE WORLD |
Rating |
Comments |
| Aviation
Content |
***** |
There
is plenty of aviation content in this film, which is well balanced with
ground-based sequences |
| Authenticity |
**** |
This film uses a mixture of live shots with real Spitfires and CGI (computer-generated imagery) - the result is believable and the CGI is not overdone. Shot in Europe, some of the scenes feature too many conifers for an English landscape and therefore provide a distraction to those expecting to see oaks. |
| Story
line |
***** |
Although
the blurb makes a comparison to "Pearl Harbor", the storyline is far
more believable and more sensitively handled |
| Acting |
**** |
Excellent
acting but one of the lead actors (Krystof Hadek) looks too young -
more like a 15-year old than someone around 20. |
| Overall
rating |
***** |
This is a great movie for both warbird buffs and those interested in a well-scripted storyline. It is well directed and has that European flavour that makes it a little more refreshing than the type of film expected out of Hollywood. Highly recommended. |
ALWAYS (1989). "Steven Spielberg
directs this heartwarming romantic adventure USA Today calls "a winner."
Pete Sandich (Richard Dreyfuss) is a legendary pilot with a passion for
daredevil fire fighting. However Dorinda (Holly Hunter), the
woman
he loves, and Al (John Goodman), Pete's best friend, know that legends
can't take risks forever. After sacrificing himself to save Al,
the ace pilot faces his most challenging mission: helping Dorinda move
on with her life. Breathtaking cinematography and exhilarating
aerial choreography highlight this compelling adventure that co-stars
Brad Johnson and features a special appearance by Audrey Hepburn."| ALWAYS |
Rating |
Comments |
| Aviation
Content |
**** |
Great
action shots of PBY Catalina, A-26 Invader and C-119 Flying Boxcar on
fire-bombing operations. The air-to-air sequences are quite
stunning. The opening scene alone is a "must-see". |
| Authenticity |
**** |
Very believable film on life at a fire fighting base. The shots of aircraft flying through forest fires are incredibly realistic - if somewhat over dramatised. Despite a bit of artistic licence being used, the shots work. |
| Story
line |
***** |
Really
great storyline with all the essential ingredients - action, romance,
unpredictability, humour, tension - thoroughly absorbing |
| Acting |
***** |
Excellent
acting - particularly Holly Hunter and John Goodman |
| Overall
rating |
***** |
This
is one of the best aviation movies ever made and is a joy to watch |
MEMPHIS
BELLE (1990). "Matthew Modine (Full Metal Jacket) and Eric
Stoltz (Anaconda) head the
dynamic cast of Memphis Belle,
an adventure
inspired by true World War II heroics. Producers David Puttnam
and Catherine Wyler used her father William Wyler's 1944 film about the
famed Flying Fortress as inspiration. Director Michael
Caton-Jones (The Jackal) cast
top-flight actors: Billy Zane (Titanic),
Harry Connick Jr (Copycat),
Tate Donovan (Love Potion #9),
D B Sweeney
(The Cutting Edge), Sean Astin
(Rudy), David Strathairn (L A
Confidential), Reed Diamond (Homicide:
Life on the Street) and John
Lithgow (3rd rock from the Sun).
In these talented ranks, Memphis
Belle soars."| MEMPHIS BELLE |
Rating |
Comments |
| Aviation
Content |
***** |
Half
the movie is about the crew of the Memphis Belle on their last mission,
so it
has to get five stars |
| Authenticity |
***** |
Excellent
- great attention to detail |
| Story
line |
**** |
Simple
but effective - characters are well developed |
| Acting |
***** |
Brilliant.
The actors are young (which they need to be for a bomber crew) and have
all the traits you'd expect. |
| Overall
rating |
***** |
Memphis
Belle shows what daylight B-17 crews had to go through every
mission. The crews were young, you lived life to the full and you
prayed like hell you'd survive your tour. This film is a tribute
to those thousands of aircrew that didn't return home. |
FLIGHT OF THE INTRUDER
(1990).
" From the producer of The Hunt for
Red October and the director of Red Dawn comes this explosive
wartime adventure roaring with spectacular aerial action. Danny
Glover (Lethal Weapon) plays
Commander Frank Camparelli, the battle-hardened squadron leader of an
aircraft carrier during the Vietnam war. Brad Johnson (Always) is pilot Jake Grafton, a
disillusioned young renegade looking for payback. Willem Dafoe (Spiderman) is Cole, the cynical,
hell-bent bombardier Grafton recruits to fly an unauthorised mission
behind enemy lines. The target: a missile depot in Hanoi.
The plane: the A-6 Intruder, a low-altitude bomber with no defensive
weapons. The risk: court-martial at the hands of Commander
Camparelli . . . if they live to return.| FLIGHT OF THE INTRUDER |
Rating |
Comments |
| Aviation
Content |
**** |
Excellent
air-to-air filming of the A-6 Intruder and carrier operations. |
| Authenticity |
***** |
Portrays
life on an aircraft carrier well (a real carrier was used
during filming) and the special effects are well done. Real
cockpit shots are used at times and the night-time studio cockpit
sequences are great. Although about the Vietnam war, it was
filmed on location in Hawaii - not that you would know it. |
| Story
line |
***** |
Great
story based on the book of the same name by Stephen Coonts. Good
balance of action, suspense, humour and the serious side of war. |
| Acting |
***** |
The
three lead actors do a great job - no faults there. |
| Overall
rating |
***** |
This
is without doubt one of the best films covering the air war in
Vietnam. Although showing the realities of war, it doesn't have
that heavy feeling like Full Metal
Jacket, The Deer Hunter,
Apocalypse Now or Platoon. |
TOP GUN (1986).
"A hip, heart-pounding combination of action, music and incredible
aerial photography helped make Top
Gun the blockbuster hit of
1986.
Top Gun takes a look at the
danger and excitement that awaits every
pilot at the Navy's prestigious fighter weapons school. Tom
Cruise is
superb as Maverick Mitchell, a daring young flyer who's out to become
the best. And Kelly McGillis sizzles as the civilian instructor
who
teachers Maverick a few things you can't learn in a classroom."| TOP GUN |
Rating |
Comments |
| Aviation
Content |
***** |
As
the blurb says, incredible aerial photography. It would have
taken a
lot of time and plenty of assistance from the US Navy to get the right
shots. |
| Authenticity |
***** |
Hard
to fault except the scene when McGillis meets "Mitchell's" class intake. |
| Story
line |
**** |
Great
threads throughout the movie and nice to know you don't always have to
be first to be a winner. At the end of the day "We're all in the
same
team." |
| Acting |
***** |
Great
acting. Top Gun made
Tom Cruise a household name and he hasn't
looked back since. |
| Overall
rating |
**** |
Top
Gun has stood the test of time and remains an aviation
classic.
Yes,
parts are full of testosterone, but would you expect anything less from
fighter jocks at the Navy's Fighter Weapons School? |
APOLLO 13 (1995).
"In this definitive 2-disc Special Edition, Ron Howard directs Academy
Award Winner Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise and Ed
Harris in this riveting suspense-thriller from Image Entertainment
about a "routine" space flight. Apollo 13 is a breathtaking
adventure that tells the true and remarkable story of courage, faith
and ingenuity in a race to bring a group of heroic astronauts home when
their spacecraft is damaged thousands of miles from Earth."| TOP GUN |
Rating |
Comments |
| Aviation
Content |
*** |
Rating
the aviation content of this is difficult - it all depends how you view
space vehicles and whether they constitute aircraft. If you're into
punching buttons, adjusting knobs and running through instrument
sequences however, you'll love it. |
| Authenticity |
***** |
Excellent.
Howard chose to drop usage of actual footage of the Apollo programme
and went for CGI, achieving from nice angles in the process. The Huston
control room set was so authentic that some advisors who had worked in
the real building thought they actually there. It has been said
that Apollo 13 is so
believable that historians of the future will look at the film to see
what took place at the time as it records much of what hasn't been
written. Much of the space shots were done in zero-g - not in space but
aboard a USAF "airliner" doing push-overs. No special effects were
needed! |
| Story
line |
***** |
Given
events are based on the real thing, a story which united and gripped
the world, the story flows without a hitch. |
| Acting |
***** |
Excellent.
Convincing. |
| Overall
rating |
**** |
Apollo 13 is a superb movie. The
only reason I give it a four star rating here is the fact that it's low
on "aviation content" - otherwise it should get all the stars. |
THE RIGHT STUFF (1983). "In the
middle of the 20th century, America pondered its future - and looked to
the skies. Based on Tom Wolfe's book, The Right Stuff is the
tale of how that future began, a thrilling epic of intrepid test pilot
Chuck Yeager and the seven pioneering astronauts of the Project Mercury
space program. Philip Kaufman scripts and directs, pushing the envelope
with a filmmaking bravado that matches this soaring story of training
and heroism . . . and of sudden fame for which there is no training. Ed
Harris, Barbara Hershey, Sam Shepard, Dennis Quaid and Fred Ward are
among the perfect cast of this winner of Academy Awards that in a
pristine 20th-anniversary digital transfer remains the stuff of
must-see entertainment. Let's light this candle, flyboys".| THE RIGHT STUFF |
Rating |
Comments |
| Aviation
Content |
**** |
Plenty
of aircraft and Mercury space vehicles to see. Includes actual footage
from the Mercury programme and testing of aircraft. |
| Authenticity |
**** |
Overall
the movie is very believable. Some shots are a bit strange - such as
the X-1 sitting in the desert seemingly unattended. Models are used for
some of the flying sequences but they are acceptable, and
understandable given the date of the movie. |
| Story
line |
***** |
Excellent
story line with a nice balance between the astronauts and those test
pilots who didn't fly in the Mercury programme. |
| Acting |
***** |
Excellent
acting - nobody lets the team down in this one |
| Overall
rating |
**** |
The Right Stuff is an excellent
movie and hasn't dated much. Its strengths are a superb story
line and excellent acting, which make for pleasurable viewing. Even
with the use of CGI today, it would be hard to improve on the original.
The film makers certainly used the right stuff to portray an important
part aviation history. |
THE
BLUE MAX (1966). "The Blue Max is a raging war time
thriller featuring spectacular aerial combat sequences. It is the
story of Bruno Stachel, a cold, ambitious German combat pilot in World
War 1. As brave as he is ruthless, he excels in combat, wins the
highest medals, The Blue Max,
and becomes a national hero. The
Blue Max is among the best of aviation films with outstanding
photography, spectacular dogfights and a dramatic score."| THE BLUE MAX |
Rating |
Comments |
| Aviation
Content |
***** |
Excellent
air-to-air photography - probably the best WWI reenactments ever
filmed. What makes these scenes particularly good is that they
are carefully choreographed so that the viewer isn't confused as to who
is shooting at who. |
| Authenticity |
***** |
This
is very good. Sure, a lack of WWI aircraft meant they had to
substitute the occasional Tiger Moth here and there, and some of the
close-ups of pilots taken in the studio are a bit dated, but given the
film was produced in 1966, one can't really complain. Even so,
some of the studio shots are bordering on being quite realistic -
better than other close-ups in some films shot 30 years later.
The ground scenes are also grand in their scale and detail. |
| Story
line |
**** |
At
first the story line seems fairly predictable as it follows the career
of an aspiring fighter pilot but, as the film progresses, the twists
and turns the story takes are surprisingly refreshing. The end is
a classic. |
| Acting |
***** |
The
acting is first class with big names such as George Peppard, James
Mason and Ursula Andress. |
| Overall
rating |
**** |
The Blue Max is without doubt one
of the best aviation movies ever made. Even though it was filmed
in 1966, it still sits comfortably in the top ten aviation movies of
all time. Highly recommended. It is rumoured that Peter Jackson
is planning on doing a remake of this movie - here's hoping . . . |
PEARL
HARBOR (2001). "An epic blockbuster with astounding visual
effects, Pearl Harbor is
another unforgettable motion picture from producer Jerry Bruckheimer
and director Michael Bay, the hit-making team that brought you Armageddon. Featuring Ben
Affleck (Good Will Hunting, Armageddon) , Josh Hartnett (The Faculty) and Kate Beckinsale (Brokedown Palace) in a tremendous
all-star cast, the innocence of a nation is instantly shattered by a
sudden and devastating act of warfare. As the lives and loves of
a generation are tragically swept into the greatest conflict modern man
has ever known - World War II - the events of Pearl Harbor become a
supreme test for the strength of the human spirit. Also starring
Cuba Gooding Jr (Jerry Maguire,
Men of Honour), Alec Baldwin (Outside Providence), Jon Vought (Coming Home, Enemy Of The State) and Tom
Sizemore (Saving Private Ryan),
this breathtaking story of love and heroism is a must-see cinematic
event."| PEARL HARBOR |
Rating |
Comments |
| Aviation
Content |
**** |
There
are some excellent aerial sequences in this film using Spitfires,
P-40s, and B-25 Mitchells, and modified American aircraft representing
the Japanese aircraft which make the film interesting from a
warbird-watch perspective |
| Authenticity |
*** |
Average.
A lot was changed for Hollywood with modern warships used in the
filming being the worst example. The use of CGI did allow fairly
accurate placement of warships in Pearl Harbor as they would have been
on the day however. And fancy having the same actors saving the
day with their P-40s over Oahu and then going on to hit Tokyo in the
Doolittle Raid using B-25s - you'd think the USAAF were short of
pilots! Or what about the Mitchells
practicing short-field take-offs on a runway and not succeeding due to
a tail wind (as shown by a flag) - I wonder why. |
| Story
line |
** |
Not
good - too much twisting of facts and puffing of the chest to make the
whole experience credible. The inclusion of the Doolittle Raid
soured the movie. The story lets the movie down - its just too
ambitious. |
| Acting |
**** |
The
acting is good - just a pity the parts the actors had to play were a
bit far-fetched. |
| Overall
rating |
**** |
The
best feature of Pearl Harbor from a viewing perspective is its
use of CGI - this being a milestone in aviation film history.
Overall its a good movie if you're not too worried about historical
accuracy and can put up with the clichés. The blurb on the
cover
(see above) sums it up - a bit too much hype. |
THE
TUSKEGEE AIRMEN (1995). This is the True Story of the U S
Army's "Fighting 99th" - the first squadron of African-American combat
fighter pilots. Against all odds - the prejudice and humiliation,
the distrust and vengeful behaviour of senior white officers - this
squadron learned how to survive at any price. With devastating
precision, the black pilots shot down more than 400 German aircraft
without losing a single plane to enemy fire in more than 200 bomber
escort missions. This is their remarkable and courageous story -
a story that has waited 50 years to be told, a story that will shock
and enrage you - a final tribute to the unsung heroes of World War II,
The Tuskegee Airmen.| THE
TUSKEGEE AIRMEN |
Rating |
Comments |
| Aviation Content | ***** |
There
is plenty to please in this movie - Stearmans, T-6 Harvards/Texans,
P-51s, B-17s and Bf109s. Some great original air-to-air sequences
and appropriate original wartime footage |
| Authenticity |
*** |
Overall,
most aspects of this movie foot the bill but some stuff doesn't cut the
mustard. The grey skies, cold air and terrain of North Africa
aren't convincing (because it wasn't shot in North Africa!), and the
B-3 sheepskin jackets look too new and too clean, as do the sparkling
Mustangs (no battle scars on these post-restoration beauties).
The budget didn't quite extend to exotic locations but careful editing
keeps most people happy. |
| Story
line |
***** |
Great
story. The black Americans of the 332nd Airborne had it tougher
than their fellow white countrymen but they proved beyond any doubt
that the colour of your skin makes no difference to your piloting
skills. Incredibly, while these guys were escorting bombers, no
bombers were lost as a result of enemy action! Beat that! I
also like the touch where President Roosevelt's wife turns up on base
after the pilots have received their wings and demands an airplane ride
from one of the Tuskegee airmen - good on her for showing how to cut
through the bullshit. |
| Acting |
***** |
Superb
acting in this movie. The actors speak with emotion and passion -
absorbing stuff and very convincing. |
| Overall
rating |
**** |
Having
not heard much about this movie, I wasn't expecting a winner but the
opening score and cinematography showed the movie had potential.
From there, it just got better. The soon-revealed quality of the
acting quickly grabbed my attention straight away. Apart from
some not-quite-convincing locations and clean jackets/aircraft,
this movie is recommended viewing. Its certainly streets ahead of
other films further down the page and the storyline is far more
convincing than Pearl Harbor! |
BATTLE OF BRITAIN (1969).
"Featuring a "big stellar cast" (Variety),
including Sir Michael Caine,
Trevor Howard, Sir Laurance Olivier, Christopher Plummer, Michael
Redgrace, Robert Shaw and Susannah York, Battle of Britain is a
spectacular retelling of a true story that shows courage at its
inspiring best. Few defining moments can change the outcome of
war. But when the outnumbered Royal Air Force defied
insurmountable odds in engaging the German Luftwaffe, they may well
have altered the course of history!"| BATTLE OF BRITAIN - SPECIAL EDITION |
Rating |
Comments |
| Aviation
Content |
***** |
The
movie used every available Spitfire, Hurricane, He111 and Bf109 it
could get its hands on - many of the latter two types coming from the
Spanish Air
Force |
| Authenticity |
**** |
Overall
- excellent. Not 100% true to history but not far off |
| Story
line |
*** |
A bit
weak but not that important given the amount of action |
| Acting |
**** |
Some
big names in this movie and it shows |
| Overall
rating |
**** |
This
is a "must have" for those interested in warbirds. The
special edition release provides an extra disc that shows how the movie
was made - fascinating stuff and worth getting |
TORA!
TORA! TORA! (1970). "Tora!
Tora! Tora! is the Japanese
signal to
attack - and the movie meticulously recreates the attack on Pearl
Harbor and the events leading up to it. Opening scenes contrast
the American and Japanese positions. Japanese imperialists decide
to stage the attack. Top US brass ignore its possibility.
Intercepted Japanese messages warn ot it - but never reached FDR's
[Franklin D Roosevelt - the US President] desk. Radar warnings
are disregarded. Even the entrapment of a Japanese submarine in
Pearl Harbor before the attack goes unreported. Ultimately the
Day of Infamy arrives - in the most spectacular, gut-wrenching
cavalcade
of action-packed footage ever. It's the most dazzling recreation
of America's darkest day - and some of her finest hours".| TORA! TORA! TORA! |
Rating |
Comments |
| Aviation
Content |
**** |
Superb
air-to-air sequences and aircraft carrier operations |
| Authenticity |
**** |
Although
American aircraft were modified to play the part of Japanese aircraft,
this is hardly noticeable. Some special effects are dated
(particularly the use of model ships), but the action around Pearl is
spectacular. A few stuntmen had closer calls than they wished for
with runaway aircraft and explosions, which makes for some astonishing
footage. |
| Story
line |
*** |
Given
that the film had to stick to historical events, the storyline is
surprisingly well scripted and believable - particularly since it
includes the Japanese viewpoint |
| Acting |
**** |
Great
acting throughout |
| Overall
rating |
**** |
Like
the "Battle of Britain" this is a "must-have" given the scale of the
film, the importance of the subject in history, the grand aerial
sequences and the full-on action during the attack on Pearl - a real
aviation classic, even if it is slightly dated in the special
effect area. |
ACES HIGH (1976).
"A moving story of comradeship and bravery, loneliness and fear. Aces High
cintains some of the most magnificent aerial battles ever staged
leading to a BAFTA nomination for Best Cinematography and Best Film at
the Evening Standard British Film Awards. Under Jack Gold's
sensitive
direction, this is a moving portrayal of the futility of war. The
superb British cast includes Malcolm McDowell, Christopher Plummer,
Simon Ward and Peter Firth and features cameo appearances by Sir John
Gielgud, Trevor Howard and Richard Johnson."| ACES HIGH |
Rating |
Comments |
| Aviation
Content |
**** |
No
shortage of aviation content in this film! |
| Authenticity |
**** |
A
lot of work went into creating the costumes, settings and aircraft for
this movie and it shows. The mess, airfield, and hangar scenes
are
hard to fault. Cockpit shots vary from excellent to
predictable. The
SE5As and Avro 504 look the part with realistic wear and tear.
Unfortunately the German aircraft really are a bit of a "circus" with
everything from Tiger Moths, Phalzs, Fokker Monoplanes, Albatrosses and
Bucker Jungmanns being thrown into the air. |
| Story
line |
*** |
The
story essentially follows a week in the life of a replacement pilot who
joins 76 Squadron at the front. The "plot" is therefore simple to
say
the lease but its a fairly honest look at life in the RFC |
| Acting |
**** |
The acting in this movie is excellent and the characters believable. |
| Overall
rating |
**** |
Aces High is
a good movie and worth seeing for its realistic depiction of life in
the RFC and the effects of war. The storyline is a bit thin but
this
is made up for by excellent acting and well developed
characterisation. |
THE AVIATOR (2004).
"One of the 20th century's most compelling figures, Howard Hughes was a
wily industrialist, glamorous movie producer and unstoppable American
innovator - but he thought of himself first and foremost as an
aviator. In this spectacular epic, director Martin Scorsese
focuses on the most prolific period in the life of Hughes (played by
Best Actor Golden Globes Award winner Leonardo DiCaprio): the mid-1920s
through the 1940s. It was a time of brilliant aeronautical
invention, turbulent love affairs (including one with Katharine
Hepburn, played by Cate Blanchett) and savage corporate battles.
Prepare yourself for the ride of the lifetime of this billionaire,
genius, madman."| THE AVIATOR |
Rating |
Comments |
| Aviation
Content |
*** |
As
you'd expect, there is some interesting footage here but its far from
stunning. |
| Authenticity |
*** |
Not
convincing. The Aviator
is a good example of CGI gone mad. Impossible camera angles and
shots are disturbing. The scene when Hughes and Hepburn and
flying at night is awful - the cockpit noise level is so quiet you
could hear someone taking the top off a milk bottle (and probably
dropping a pin). On the plus side, however, the crash scene of
the YF-11 is convincingly brilliant. |
| Story
line |
**** |
Hughes
did a lot in his life and The Aviator
tries to pack as much of this in as possible. Unfortunately, the
cramming of events comes at a cost of poor character development and
drama. |
| Acting |
***** |
Great acting. Cate Blanchett deserved an Academy Award. DiCaprio does well but his youthful looks and enhanced accent don't sit comfortably. Alec Baldwin and Alan Alda are at their best. |
| Overall
rating |
*** |
The Aviator probably didn't deserve
five Academy Awards but there's no doubt that it is an interesting
movie - more so for its telling of the life of Howard Hughes than for
its cinematography. |
CATCH-22 (1970).
"Mike Nichols
superbly directed this cinematic adaptation of Joseph Heller's scathing
black comedy, the tale of a small group of flyers in the Mediterranean
in 1944. There are winners and losers, opportunists and
survivors. Separately and together, they are nervous, frightened,
often profane and sometimes pathetic. Almost all are a little
crazy. Catch-22 is an anti-war satire of epic proportions."| CATCH-22 |
Rating |
Comments |
| Aviation
Content |
*** |
Some
great sequences of B-25 Mitchells taking off, landing and flying in
formation. Interior shots leave plenty to the imagination. |
| Authenticity |
*** |
The
aircraft are real and the ground shots depict large camps with all the
tents, structures and vehicles you'd expect. |
| Story
line |
*** |
The
story is the theme of the book: "OK, let me see if I got this straight:
in order to be grounded I've got to be crazy, and I must be crazy to
keep flying, but if I ask to be grounded, that means I'm not crazy
anymore and I have to keep flying?". The movie is surreal in its
presentation. There's a madness in everything and everyone -
which is the whole point, in war there is no point. |
| Acting |
*** |
The
characters are disturbing, but they are meant to be. At times its
like you have characters from Lord
of the Flies, Hogan's Heros,
Blackadder and Apocalyse Now all blended into one |
| Overall
rating |
*** |
This
film is definitely worth a look but you need to view it with an open
mind. Its certainly thought provoking. |
STEALTH
(2005).
"From the director of XXX and The Fast and The Furious
comes an exhilarating epic blockbuster starring Josh Lucas, Jessica
Biel and Academy Award® winner Jamie Foxx (Best Actor, RAY, 2004).
Breathtaking from take-off, it thrusts you in the cockpit, hits Mach 5
and never looks back. Henry, Ben and Kara are hands down the world's
best tactical fighter pilots. But a new member joins their team, a
state-of-the-art, fully-automated, pilotless, super stealth warplane -
inhuman and invincible. But once this stealth goes up it's never coming
down, wreaking destruction in seconds across the globe, leaving the
team with one last no-fail mission: to stop it - no matter what." | STEALTH |
Rating |
Comments |
| Aviation
Content |
**** |
There's
plenty here for the aviation enthusiast with a blend of CGI stealth
aircraft, full scale mock-ups, real F-18s and a few different
helicopters thrown in for good measure. Some of the CGI blends are very
impressive - best of all being the stealth aircraft landing on an
aircraft carrier. Done properly, CGI aircraft can be made to look
real. When it works, its great. |
| Authenticity |
* |
Set
in the near future, the stealth aircraft are certainly futuristic in
performance but, even so, there are limits to aerodynamics that no
fancy flying or powerplant is ever going to achieve. If real
pilots flew the manoeuvres these jet jocks are shown to do, they would
have organ prolapses and permanently bloodshot eyes - if they
survived. If you're into explosions, however, you'll love this
movie - its full of them and they are VERY real. One explosion
apparently took three months to set up and its all over in seconds -
the most complex explosion for a film ever recorded on camera. Still,
good explosions don't make a good film. The film makers would have been
better spending three months developing the script further. |
| Story
line |
* |
Not
good, by a long shot. The story has nothing to do with
stealth. It develops like a poorly thought out computer
game. And when one of the aircraft goes down, I'm sure it isn't
just coincidence that it falls in North Korea - just a few miles, and
within walking distance, of the border with South Korea. How
predictable can you get! |
| Acting |
*** |
The
acting is good and makes the movie bearable |
| Overall
rating |
** |
The
movie breaks some new ground in CGI aircraft effects and deserves
credit for that. It also deserves credit for its experimentation on the
score. Lucas, Biel and Foxx are also worth a look. The
story line, however, is garbage. If you wanted to do a movie on
stealth,
why not use a B-2 and a few F-117s and stick with a sense of
realism. |
FLYING (1951).
"Marine Major Dan Kirby (John Wayne) is tough on
his group of World War
II aviators, tougher than his subordinate Captain Carl Griffen (Robert
Ryan) thinks is necessary. A struggle of will begins between the
two men. However, Kirby proves that his method is more suited to
the demands of war."| FLYING
LEATHERNECKS |
Ratings |
Comments |
| Aviation
content |
*** |
Plenty
of interesting stuff in this movie for die-hard (no pun intended)
aviation war movie buffs. There is some classic wartime footage
that makes impressive viewing - like the guy who tries to land his
fighter 20 ft above the airstrip (the landing gear loses), or the pilot
who manages to successfully bail out of his crippled aircraft which has
lost a wing and all its tail feathers (a hard act to follow when every
gun on the ship used for filming is pumping lead in your general
direction). These weren't stunts. |
| Authenticity |
*** |
A
tricky category to score given the film uses real war footage (you
can't score less than 100% given the stuff is for real!).
Considering the film was shot just six years after WWII, it has its
fair share of interesting WWII aircraft from Hellcats and Corsairs
through to Devastators, Avengers, SBDs, Catalinas, and DC4s.
There is a problem with continuity, however, as Hellcats (with rocket
rails) are shown on Guadalcanal in August 1942 (they stand in for
Wildcats, which were the type actually used). Even so, most of
the equipment shown has not been built for the film and is clearly of
WWII manufacture. There's plenty of studio shots of actors
getting jostled around in their earth-bound cockpits but even modern
aviation films use the same technique. |
| Story
line |
** |
Like Midway (see below), the desire of the director to use actual war footage gets in the way of the story. Character development is poor and the movie makes some big jumps, which leaves the viewer wondering whether they missed something. At the time the movie was released, the war footage would have been compelling viewing on the big screen and would have pulled in thousands of servicemen "who were there". This would probably have made up for the poor plot but in today's age it just doesn't work. The real stuff and that made in Hollywood doesn't blend together. |
| Acting |
** |
John
Wayne and Robert Ryan can certainly act but the clichés are
thicker than treacle. Its hard to warm to any of the characters. |
| Overall
rating |
*** |
This
film shows its age in many ways - dated acting, fading colour, scratchy
sound track and a script that comes from the era of films like Gone With The Wind. Despite
these faults, it is a classic aviation film of the 1950s and,
surprisingly, it holds its own against films such as Midway filmed 25 years later.
Its worth a look but more from the perspective of a documentary than
something that should entertain. |
MIDWAY (1976). "The Battle of Midway
sounded its furious thunder in June 1942, just six months after the
attack on Pearl Harbor. Midway
interweaves the dramatic personal
stories of the men who fought the courageous battle that was to be the
Pacific turning point for the United States. The all-star cast
and breathtaking war footage convey the Battle of Midway with powerful
reality and epic sweep."| MIDWAY |
Rating |
Comments |
| Aviation
Content |
*** |
The
interesting aspect of this film is that it blends real wartime footage
with that shot for the film. This adds some impact to the film
but it is also distracting - it looks like the producers have run
out of time and money and used such shots as fillers. |
| Authenticity |
** |
Unfortunately
there are some major screw-ups here. For one, the "actual footage
of the battle" shows the use of F4U Corsairs - sorry but they weren't
in the Battle of Midway! Footage from this movie was also grabbed
from Tora! Tora! Tora! and it
shows (hills in the background while depicting action on Midway, same
hangars as at Wheeler Field, Oahu, getting blown up). The model
ships used for some battle scenes are bloody awful - they look like the
original television versions of Thunderbirds! |
| Story
line |
** |
The
chronology of events is correct and in some ways it comes across like a
dramatised documentary but the drama acted out by the non-historical
characters is pure soap. |
| Acting |
* |
Despite
some big names, the acting is painful in parts. Charlton Heston
looks bad here even before Michael Moore got stuck into him in Bowling for Columbine. The
Japanese actors all speak English with various accents - not
good. In Tora! Tora! Tora!,
the Japanese had subtitles and the acting was 100% better. |
| Overall
rating |
** |
Purely from an historical viewpoint, the movie is interesting but do your homework first - read a good historical account of the battle and then view the movie afterward. The subject matter is a good example of how chance alone can change the outcome of a battle. |
WING
AND A PRAYER (1944). "They fought the Battle of Midway. Don
Ameche and Dana Andrews head an all-star cast in this acclaimed film
about life aboard a U.S. aircraft carrier after the attack on Pearl
Harbor. A group of young, eager Navy pilots become frustrated when
their higher-ups enact a non-combat strategy against the Japanese. To
make matters worse, the pilots must answer to a rigid, unyielding
commander (Ameche). Against all odds, the men fly into action in the
decisive Battle of Midway. Nominated for a 1944 Best Original
Screenplay Oscar, this stunning war drama uses actual combat footage to
tell its engrossing story."| WING AND A PRAYER |
Rating |
Comments |
| Aviation
Content |
*** |
The
greatest strength of this movie is the superb black and white filming
of period aircraft on carriers - Hellcats, Avengers, Dauntlesses and
Devastators. The images are crisp and with excellent contrast - so much
superior to the garbage you see on cheap DVDs that have copied original
footage so many times over. There are some great shots of aircraft
trapping the wires, hitting the crash barrier and stalling and crashing
into the sea on takeoff. Some original war footage is used now and then. |
| Authenticity |
* |
This
receives a VERY mixed score. On one hand, you have some excellent black
and white footage of real WWII aircraft (not hard to find in 1944!) but
the movie falls over on a number of scores. Although not mentioned in
the movie due to wartime censorship, the carrier portrayed is actually
meant to be the Yorktown,
which traveled into the South Pacific to take part in the Battle of the
Coral Sea. Unlike the movie, the pilots didn't run away from the
Japanese! Also, the Yorktown
returned to Hawaii to get repaired in a very short time before sailing
to Midway (the movie shows the carrier going direct to the Midway area
from the South Pacific). It was good to see Dauntlesses, Avengers and
Devastators shown but HELLCATS were not used at Midway (they flew later
in the war). They are no doubt shown in the film for propaganda
purposes. The Japanese aircraft in the movie are a joke. Apart from
real wartime shots (rare), models were used for some shots and the film
makers stooped to using some Wildcats with meatballs as stand-ins - not
a good look! But this is not as bad as the model Japanese carriers that
were set on fire! Initially the movie had a high standard of
authenticity but this deteriorates as the movie progresses. To try and
make it look right, they play original film footage of the action on a
studio wall and have actors in the movie do their thing in front of the
projected images - not pleasant! Unlike Midway, this version spends 80% of
the time "somewhere in the South Pacific" before getting involved
in the Midway Battle. Losses depicted are light, but in reality they
were heavy, particularly for the bomber aircraft. And, of course,
nobody mentions that the Yorktown
herself got sunk during the battle - although this is avoided as the
movie ends after one day's action. The very worst moment comes when a
plane runs out of fuel overhead in a rainstorm. The sound guys really
screwed up big time here. The engine doesn't surge but sounds like they
are turning the sound track on and off - full volume and then no volume
with nothing in between. Seconds later, when the engine stops, the
aircraft screams as though in a terminal dive under full power, and
then "plop", it lands in the water with a most unconvincing sound -
more like someone throwing a rubber ducky into the bathwater than tons
of metal hitting the ocean. Incredibly, all this can be heard from
outside the bridge of the carrier with no other sound apparent (like
wind or rain). |
| Story
line |
** |
The
initial story starts out to be promising but heads downhill about half
way through. The story is a major distortion of the truth - but then
truth is always the first casualty of war and this is a war movie shot
in wartime! |
| Acting |
*** |
Some
of the acting and initial character development was very good but, as
was often the case with movies of this era, there is also a lot of
over-acting with exaggerated facial expressions meant for the back row
of a theatre! The narration of pilot talk, which is relayed over the
ships intercom during an attack on the Japanese carriers, is bloody
awful. |
| Overall
rating |
** |
This
is worth a look only if you're interested in excellent black and white
footage of WWII carrier aircraft. |
MOSQUITO
SQUADRON (1970). "David McCallum (The Man From UNCLE) stars in an
epic adventure that balances large-scale spectacle with searing human
drama, perfectly capturing the explosive action and emotional torment
of war. With its astonishing choreographed aerial combat
sequences, Mosquito Squadron
catapults the viewer into the searing heat of battle. As Allied
forces struggle against the awesome might of the German Luftwaffe, an
even greater threat is posed by the destructive V3 Rocket, which is
nearing completion at a secret testing centre. Its up to the
RAF's Mosquito Squadron to destroy the site, but its leader, Quint
Munroe (McCallum), faces a conflict when he makes a grim
discovery. An air strike may kill hundreds of British POWs -
including the squad's former commander!"| MOSQUITO SQUADRON |
Rating |
Comments |
| Aviation
Content |
*** |
Some
good aerial shots of Mosquitos |
| Authenticity |
*** |
Apart
from the real aircraft, the rest of the movie is lacking |
| Story
line |
*** |
Average.
Its certainly not "on the edge of your seat" stuff. |
| Acting |
*** |
Average |
| Overall
rating |
** |
Unless
you're wanting to see some nice shots of Mosquitos, there's not much to
enjoy in this movie - despite what the blurb says above. I'd give
it a miss. |
633
SQUADRON (1963). "Excitement, adventure, derring-do and
courage in the war-torn skies over northern Europe are "the right
stuff" for this pulse-pounding World War II air drama. Two
Academy Award winners headline the solid cast: Cliff Robertson (Best
Actor, Charly, 1968) and
George Chakiris (best Supporting Actor, West Side Story, 1961).
Robertson, an avid flyer in real life, plays a combat-weary pilot whose
RAF squadron is ordered on an apparent suicide mission to destroy a
Nazi rocket fuel plant tucked deep into a Norwegian fjord.
Chakiris portrays a resistance fighter whose fate numbers among the
many ironies in the expertly written screenplay. To make the
film, which is based on a true story, a squadron of legendary Mosquito
fighter-bombers was resurrected from near extinction. Dazzling
flying sequences, bone-shattering sound and superb special effects help
make this one of the most realistic films ever to reach the screen."| 633 SQUADRON |
Rating |
Comments |
| Aviation
Content |
*** |
Some
great footage of real Mosquitos before many of them were
scrapped. Sadly, the people who made this film, wrecked a few
more after rounding up the survivors. |
| Authenticity |
** |
Average
to poor. The film makers used flying models in a lot of shots and
the person controlling them did a shocking job - they look and fly
poorly. The Bf108 Taifuns strafing the RAF base don't look the
part either. |
| Story
line |
* |
The
story line should work but it doesn't - even though it is suppose to be
based on a real story. The blurb is the ultimate deception. |
| Acting |
* |
This
is bad - I'm surprised you can't see the strings the puppeteers are
using. |
| Overall
rating |
* |
Unless
you're a fan of the television version of Thunderbirds, this is NOT
recommended viewing. The movie is very dated. |
THE FLYING TIGERS (1942).
"They were the terror of the sky, a small daring band of American
mercenaries who soared into battle in defence of China's freedom.
They were aces, adventurers and heroes, America's hottest fighter
pilots - THE FLYING TIGERS! Possessing unmatched skill and
bravery, Jim Gordan (John Wayne), the Tiger's commander, is the top gun
of China's skies. But he faces a battle on the ground when his
good friend Woody Jason is suspected of recklessly causing the death of
a fellow pilot, and accused of stealing Jim's fiancee. Woody's
fight for the respect of the Tigers and his best friend is an explosive
battle of courage and heroism that lights up the sky with action!"| FYING TIGERS |
Rating |
Comments |
| Aviation
Content |
** |
Sure,
a few aeroplanes are depicted in this movie but most are models (bad
ones at that). |
| Authenticity |
* |
A
shocker. Dummy wooden P-40s are used for the close-up shots and
they look awful! Not a rivet to be seen and the cockpits are
hideous. Models are used for taxiing, take-off scenes and most of
the air-to-air shots. At one point Spitfires are even substituted
for P-40s! This is as bad as it gets. |
| Story
line |
*** |
The
story line is the only plausible feature of the movie. |
| Acting |
** |
Some
good, most average. Some parts are over-acted. Wayne should
have stuck to Westerns. |
| Overall
rating |
* |
Not
good. If you like playing "pick the holes", this movie is
brimming with awful scenes and terrible special effects. Its so
bad that all you can do is laugh as models are set on fire, thrown into
the air and filmed. The movie would have to rank as the lowest
budget (and probably worst) war film of all time. |